These works embrace the possibilities in curved and slanting forms, which bring motion to ideas of interest including, interdependency, connection and intimacy. Connection, by way of process, viewing, but the organisation of individual parts.
A single curve, is simultaneously concave and convex, equally full and hollow. The question of what it offers in space, and how it makes something or someone feel, is asked.
Non-representational, the spaces may feel open and revealing, or compressed and concealing. The curvaceous forms equally frame, suggest and emphasise what is not there, what is invisible.